My sources told me back then that Bob's people brought both ProTools files and an analog master tape to the mastering sessions for Modern Times and Bob went with the digital files. Album title, 2. I emailed Music on Vinyl and this is the response I got. We will let you know before it is started. Wax Time reissues are sold widely by reputable record stores like Amoeba and Rasputin, and while not in the price range of the true audiophile masterings, they're not exactly cheap, eithertypically about $20 retail at a brick and mortar store. The Chess Masters reissue, it was done all analog by Steve Hoffman. ). I suspect it was either a bad sounding tape supplied by Decca (though why?) All these records sound very good, so I'm very happy with this label. 2) we don't know what we cut this LP from. and what they know about the up coming reissue of Pink Moon. Ermitage now has a library of about 400 titles between audio and video, makes CDs and DVDs and provides video content for various TV channels, including Classica (broadcast on the Sky platform) and Sky Arte. It was my first MFSL and nearly my last. So, please, any ideas would be much appreciated. If they were taken directly from the original two track analog masters, I believe they would have said so. To improve sound quality, you might want to investigate replacing the supplied power supply with something of better quality. I've lost count I must say. Are the HD Tracks files really Hi Rez? I have had horrible luck with new issues. Talk about truth in advertising! We compared and the difference was so great, we at first thought the ZYX was a different arrangement and performance. Is Get On Down if you're into hip-hop at all. It would be worth putting an area on Analog Planet devoted to this. I know that since there was no "Magical Mystery Tour" LP for the U.K. (it was a double EP containing only side one of the American LP) and that side two of the Mo-Fi LP was the same "horrid electronically reprocessed for stereo" used by Capitol, that that record was sourced from Capitol, but what others used "3rd and 4th generation copies"?
. Our records are pressed in the Netherlands (@record Industry- one of the best in the business). A couple of obviously legit reissues II recently bought are two outstanding Johnny Winter reissues, Second Winter and Johnny Winter And Live from Friday Music that are the best I have ever heard these recordings by a mile. Liszt, Liederabend Mozart Schubert Schumann Wolf Wolf-Ferrari, Schubert - Bach - Beethoven - Brahms - Mendelssohn, Sonatas Op.5 N.2 & Op.69 / Variations Op.66 & WoO 45, Orchestra Dell'Accademia Di Santa Cecilia*. ________________________________________. Hey we need to bring back those goofy AAD designations that used to be on CDs, where it was implied that DDD was somehow the ideal, but now we need them for vinyl -- AAA implying pure analog recording, mixing, and mastering! "I have not been at liberty to reveal sources on mastering since around 2000. Thanks for replying, jgannon! If you have the box setthe LP's have the photos of the EMItape boxes. The audio has noticeable background noise, but it's definitely because of the source and not from the record itself. Electronic Medical Records (EMRs) are a rich data source to measure and improve quality of care. Digital, most likely 48/24k. We do get it from certain labels, like Mobile Fidelity, ORG, ORG Music, Analogue Productions, Music Matters, IMPEX, Mosaic, Rhino, Pure Pleasure, Speakers Corner, Reference Recordings, more recently Sony/Legacy and probably a few others I can't recall off the top of my head. The ones I have heard are uniformly crap. You'd think there'd be some obsessive on the internet keeping track of this stuff. I also doubt that they share them or even give them on loan to anyone. Can anyone of you tell me about the reissues on the DOL-Label? Also, how about somebody starts a company to release 00's music that is remastered without the massive compression (provided it's not squashed for posterity in the mixing stage already) -- I know Arcade Fire and The National have put out some great releases, but just imagine how awesome that stuff would be if MoFi remastered it with 50% more dynamic range. The terroir of wines in Ermitage and Hermitage Hermitage Hill is one of the few places in the world to benefit from the 4 geological eras that have taken place over time. Heaven only knows how they got here and in the surprisingly good sound quality. affiliations include, but are not limited to, the eBay Partner Network, and I'd stay away. Hermitage. Italian Archives online. My apologies if someone has already asked this. I tried to go to Simply Vinyls website and not only is it not available, but the Blackground Records website isn't either. Music Lovers = we make money by cutting corners not by cutting from masters. ERMITAGE Record Number: ERM 160-2 UPC: 8014394101603 Country: ITALY D/A Code: Analog CD Beethoven, Symphony #5 + Rehearsal. West Hollywood, CA 90069". Sent: Monday, January 02, 2012 8:54 AM As a double 45 and in print is even better! Detroit VA hospital harmed patients, altered records, investigation reveals Washington Investigators found lacking oversight they believe contributed to patient harm and death, and a pattern of "substandard" care in the surgery practice at Detroit's John D. Dingell VA Medical Center that leaders tried to conceal by altering external peer reviews and other data. Just because something's been pressed on 180 gram vinyl doesn't mean its going to sound good or that it was sourced from analog. My reference recording is Sheffield Lab's direct to analogue recording of James Newton Howard & Friends. "Reissue Labels To Avoid and Some Best to Proceed With Caution". Sent: Mittwoch, 4. this can result in this site earning a commission. Many comments say that Lilith, Doxy, Dol and others are labels that exploit works that have fallen into the public domain. True story! Widespread adoption of electronic medical records (EMRs) in the United States is transforming the practice of medicine from a paper-based cottage industry into an integrated health care delivery system. They didn't sound right to me. Epub . Lots of labels have cottoned on to the fact that they can make great margins from knocking out a badly sourced record so long as they put a '180g audiophile vinyl' sticker on the front. Discussion in 'Music Corner' started by soulboogaloo, Jan 31, 2017. So your best bet for a good sounding reissue would be the record company that owns the recording. eck, any version of an album is "sourced" at some point from the master, regardless of how many copies, remixes of digitizations have occcured. Capitol had somereissues that were wretched (Heart - Dreamboat Annie). At least I'm not as dissapointed when it is a dud. Before Mobile Fidelity did The Beatles box in 1982, there had already been 3 Beatles releases. The tell-tale sign to me is that, while the jacket art is pretty close to the original, the label never is -- it's always a Wax Time label, never Columbia, etc. eXhibit Records/Soundboard Thanks for that information. Sometimes we get slightly fudged information. I have no idea. I need to review that I have it here. No-one seems to know. If need be I add a note to the review section underneath the release. Then we figured it was a different take from the same session. I have a Music on Vinyl version of Al Di Meola's LP, the original 1970s LP, as well as a CD rip. Is there an easy and inexpensive way I can improve my system? Try finding a really good sounding Stones record on the London label. Yes, I assume they do, but judging by the low quality pressings that get to market I just don't think some labels care, or even realise just how bad their pressings are, as I said it's labels that really should be checking for themselves and rejecting poor pressings, getting things re-cut and even pulling entire runs if they aren't good enough, very few labels seem willing to do that and without mentioning any names I've talked to a few label people who really don't have a clue about quality or care. Hey! Whatever your take on Robert Palmers interpretation, the sound on that single is awesome. The Mo-Fi UHQR of Sgt. Call me crazy (and you wouldn't be the first!) I have a few CD's which have no compression or equalization at all (such as Al Stewarts's Year of the Cat MFCD-803) and when you listen to it you wonder why we are compressing the dynamics at all. I am not impressed with the quality controls in the press/release process at Wax Time, a record company out of Spain. Leonard Cohens"10 new songs" also digital. I mean, how difficult is it to just take the original master tape and play it and digitize it with no EQ and no compression? That could mean Bob took the master tape, did his thing, produced a 96/24 file and had Wes Garland cut from that, or that he went with the tape to NRP and cut from analog (assuming NRP has a preview head equipped playback deck), but sometimes there's nothing written in the Sundazed "deadwax", which leaves buyers with not a clue as to who did the all important lacquer cut and where it was cut, which is equally important: a mastering chain is like a hi-fi system in reverse. To: contact@hdtracks.com But that's another story. I built a low budget LP playback system (below) a few years ago and, frankly, the sound is uninspiring. It's not pretty. I'm so glad you brought this subject up because I buy lots of vinyl..new reissue vinyl and when I pay on average $30 per album I certainly do not want one cut from a cdI gave up collecting cd's and don't want my lp's sounding like or cut from cd'sthanks for the information about music on vinylI have bought quite a few of these and the price for them is not cheap! And I'm glad you are not "digiphobic" and call them as they sound. It's not 100% accurate or complete, but I haven't seen better elsewhere. I do have some records on the 'to be avoided' labels that I like but I find the whole practice disappointing. Same faults all the time. There is amazing variation,the "Exile" reissue sounds like a shrill, lifeless compressed mess. In Southern Italy instead, in the territories of the . The conversion's resolution depends on the sample rate and bit depth. Isn't this what the search engine is for? I'll wait for the Music Matters reissue later this year. Third fact. I played the box version of Sgt. 4 Men With Beards? They are taking advantage of the EU law that puts stuff beyond a certain age in the public domain. REGA FONO MINI A2D. The records will hold the scale of the sound and you will get everything. And if a $60 LP from a major label is remastered from the best original sources, but comes out with a lot of crackling well, I would RATHER get some $13 LPs possibly cut from dubious sources but with absolutely no surface noise. While this should help improve your AK experience, there may be a slight interruption of service during the actual software transfer. The fact is, these are obviously not from analog tape. There was a 12" single (both 33 1/3 and 45rpm) of the 1985 Power Station remake. ". Great sounding record!! P.S. Sound is Ok, sounds digital, a bit flat. Ermitage is one of the most long-lasting brands of the independent classical discography. I might back off those Ermitage records and keep looking. Label/record company, 3. sources. The current Trulia Estimate for 328 Compass Poin is $454,000. Actual production runs may not be as consistent as test pressings. There is no CD mastering of any Nick Drake material that comes close to the "Pink Moon" remaster. Also, I've come to the conclusion that so called "mastering" is simply a ploy to make the recording sound LOUDER. I pinpointed the skips and examined them under my hand-held microscope and saw lots of silvery specks all over it. I think at this point any astute observer knows that "Form the original tapes" can mean anything, as in fact, EVERYTHING is ultimately sourced from the original tape if the recording was analog. Maybe the Hankersons (owners of Blackground) were out to make a quick buck? Now when I shop and I'm not sure about a title I'll ask the vendor to hold the record behind the counter for a day or two so I can do some research on sites like this. 8491 Sunset Blvd., #174 That's the way it works. Probably different sources. The record company (Doxy) even put different custom labels for each side. He never had the original mono tapes. And anyone can go in and update information. He also produces editorial series for the most important Italian newspapers such as Il Corriere della Sera and La Repubblica. That makes no sense though because some people are still interested in music from Aaliyah's catalog (which is available on an extremely limited basis right now.). I've never heard a 1st pressing, only CD masters until this point, so I can only compare what I have heard. I think it speaks for itself. has been recently discussed regarding "HD" downloads and of other digital files (and even including analog formats). I can only guess what that all means, but it can't be good and can't be from the masters. Anyone who can give information about these reissue who help a lot of people who spend a lot of money to get them.Thanks for the help. I have bought a couple of records from this label for $15+tax: Ray Charles and Grant Green, and found the quality to be poor. The Leonard Cohen live stuff recently released on vinyl is a 48/24k recording upsampled to 96/24k. And while some pressing plants are clearly better than others, there is a general feeling that many well-meaning pressing plants are running flat-out to meet demand. EHRs can help providers make efficient, effective decisions about patient care, through: Improved aggregation, analysis, and communication of patient information. Anyone have any experince with the following: They are: Serge Gainsbourg I'm thinking of getting this LP, since it seems to be the only release of the original soundtrack for "Psycho" on vinyl (I compared it to the movie and it's definitely not a re-recording). The original was much better. To: martin Is Audio Intelligent's Enzymatic Stylus Cleaning Fluid Safe For Your Ortofon Bonded Stylus? 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