Established in 2011, Pelican Bomb closed in November 2018. In July 2020 curator, writer, and historian Susan D. Anderson joined the Museum’s staff as history curator. A native of Los Angeles, Shaw was most recently the … Receive newsletter and notification of new posts via email. Shaw officially starts at CAAM tomorrow, bringing a solid foundation in exhibition programming, community engagement, and fundraising to the position. Taylor Renee Aldridge and Susan D. Anderson have been hired by Los Angeles’s California African American Museum as visuals arts curator and history curator, respectively. CAAM is a state museum that welcomes EVERYONE and presents a changing suite of exhibitions that examine many facets of African American art, history, and culture in California and the West. Her collage and photographic works are in the permanent collections of the California African American Museum, the Photographic Archive at the J Paul Getty Museum, Bank of America, The Seavest Collection, and other select private art collections. More than forty years after its founding, there remains an inarguable need to create inclusive, accessible, and dynamic spaces where all people can see black lives and experiences valued and reflected, and I’m proud to be part of that visionary legacy.” CT, IMAGE: Cameron Shaw. As a 2016 resident, Aldridge organized public programming at The Luminary in St. Louis, Mo. “I look forward to supporting the Autry in broadening our collective understanding of American Western history, not only in a national context but globally. Jessica Wolf | July 20, 2017. Featured artists include Shikeith, Billy Mark, and Tiona Nekkia McClodden, who participated in the 2019 Whitney Biennial and won the Bucksbaum Award. Both Keith and Shaw are Los Angeles natives who returned to their hometown to join CAAM. In 2019, she received a Rabkin Foundation Award for Art Journalism and she was also recognized with a 2016 Creative Capital | Andy Warhol Foundation Arts Writers Grant for short-form writing. California African American Museum (CAAM) 600 State Dr., Los Angeles, CA 90037 Dec 10, 5 PM - 6:30 PM — ends Dec 10, 2020 A THIRD-GENERATION CALIFORNIAN, Anderson has worked throughout the state and dedicated her career to increasing public understanding of its history. Chelle Barbour is a multimedia artist, public speaker, and independent curator. At CAAM, she’s already organized her first show. During her tenure, exhibition programming featured Gary Simmons, Robert Pruitt, Nina Chanel Abney, the landmark traveling exhibition “We Wanted a Revolution: Black Radical Women, 1965-1985,” and a retrospective of Ernie Barnes. From 2016-18, Aldridge served as an assistant curator of contemporary art at the Detroit Institute of Arts. Culture Type earns a nominal commission when you access Bookshop via a link on this website and/or make a purchase from one of Culture Type's book lists on Bookshop. 34 African American Museum jobs available on Indeed.com. Aldridge’s tenure began this month. Earlier in her career, Anderson contributed to the Los Angeles Times, LA Weekly, and The Nation, writing about museums, collections, and the experiences and political power of people of color in the state of California. Anderson’s talk begins with the Gold Rush and weaves the state’s raucous beginnings into the national narrative. Previously, she was the Deputy Director and Chief Curator at the California African American Museum, where she guided the curatorial and education departments as well as marketing and communications; she was an Associate Curator at the Studio Museum in Harlem (2011–16); and held a curatorial position at the Hammer Museum. The program helps offset a small portion of the countless hours and expense required to research, report, write and produce Culture Type's content. She said CAAM provides a powerful platform at an important moment. Another show, “Mutual Support” (2017), explored issues of mental health and wellness, highlighted artists who engage the issues, and offered a pop-up wellness center that was accessible to the public and supported by artists and healing professionals. He has spent most of his career as a … It only takes a minute. Becker, 46, had been the curator-in-residence of the Faction Arts Project in New York City. “I was trained as a 19th-century historian,” he explained. The mission of the California African American Museum (CAAM) is to research, collect, preserve, and interpret for public enrichment the history, art, and culture of African Americans with an emphasis on California and the western United States. Charles White - Heroes: Gone But Not Forgotten Charlotte Sherman, Curator September 28 – December 31, 2012 Museum Curator I: – 2871. CALIFORNIA AFRICAN AMERICAN MUSEUM APPOINTS CAMERON SHAW AS DEPUTY DIRECTOR AND CHIEF CURATOR (Los Angeles, CA) — The California African American Museum (CAAM) announced today that curator, writer, and editor Cameron Shaw will join the Museum’s staff as deputy director and chief curator, effective September 12, 2019. Recently, she also served as interim chief curator at the African American Museum & Library at Oakland (2017-18). Taylor Renee Aldridge and Susan D. Anderson have been hired by Los Angeles’s California African American Museum (CAAM) as visuals arts curator and history curator, respectively. “At this moment of great uncertainty for many cultural institutions,… it is all the more meaningful that we are able to welcome onto our team these extraordinary curators. Naima J. Keith, the California African American Museum’s deputy director and chief curator, is headed to the Los Angeles County Museum of Art as vice president of education and public programs. Do you enjoy and value Culture Type? Museum Curator I California African American Museum Los Angeles, CA Under the supervision of the Curator of History and Program Manager, the Museum Curator participates and will take the lead in managing exhibitions, collecting objects, providing information about … Naima Keith, Deputy Director, Exhibitions and Programs, California African American Museum Naima J. Keith joined the California African American Museum (CAAM) in 2016 as the Deputy Director, Exhibitions and Programs to guide the curatorial and education departments as … Receive newsletter and notification of new posts via email. During his tenure at CAAM, he has organized several acclaimed exhibitions, including Cross Colours: Black Fashion in the 20th Century (2019), Making Mammy: A Caricature of Black Womanhood, 1840– 1940 (2019), How … On the writing front, Aldridge is co-founder with Lynne of ARTS.BLACK, an online journal for art criticism from a Black perspective established in 2015, that has also served as a platform for her programming activities. Executive Director, California Institute of Pan African Studies . Joining us will be curator Taylor Bythewood-Porter to discuss the California African American Museum’s exhibition Making Mammy: A Caricature of Black Womanhood, 1840-1940, artist Chris Christion to review his body of work utilizing manufactured Black memorabilia, and curator David Pilgrim to discuss community impact of the Jim Crow Museum. Culture Type® is a registered trademark of Culture Type, LLC., and is registered with the U.S. Patent and Trademark Office, California African American Museum in Los Angeles Hired Two New Curators: Taylor Renee Aldridge and Susan D. Anderson, Curator Bridget R. Cooks Explains How the Ernie Barnes Retrospective Landed at the California African American Museum, Courtney J. 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She organized a broad slate of exhibitions, large-scale public projects, cross-sector collaborations, and commissions. Dan Hicks presides over one of the world's largest collections of Benin Bronzes, which were looted from Africa in the 19th century. Her focus is on African American artists and artists of the African diaspora. SUPPORT CULTURE TYPE 4:03. Curator and Director Rick Moss . “Each brings a wealth of experience and an exciting vision to their respective positions. Keith left New York in 2016, where she was an associate curator at the Studio Museum in Harlem, to inaugurate what was then a new position at the museum. DUTY STATEMENT. Apply to Curator, E-commerce Specialist, Fundraising Manager and more! He is also a professor, writer and speaker who uses journalism, social media and education to research and present histories of Black culture from a millennial perspective. Tyree Boyd-Pates, an associate curator of Western history at the Autry Museum of The American West in Los Angeles, has been recentering Black history within museum spaces for … Museum Curator I: – 2871. A third-generation Calfornian, Susan D. Anderson has worked throughout the state and dedicated her career to increasing public understanding of its history. Recent programming included “Fallen Fruit of New Orleans” (2017–18), a city-wide initiative produced with the Los Angeles-based art collective Fallen Fruit that included planting 300 fruit trees in New Orleans in celebration of the city’s tricentennial. Scheduled this fall, “Enunciated Life” focuses on the Black church and modes of surrender through spiritual beliefs and bodily expressions. By Katherine Keener Published on 16 September 2019 at 14 h 38 min The California African American Museum (CAAM) recently announced that Cameron Shaw would become the museum’s deputy director and chief curator. IN LOS ANGELES, the California African American Museum (CAAM) announced two key curatorial appointments. Paul R. Williams designed the insurance company’s headquarters in the West Adams district of Los Angeles, where artist William Pajaud, who worked in the public relations department, assembled what was once the largest collection of African American art in the West. ALDRIDGE HAS CURATED EXHIBITIONS and programming at a variety of institutions. IN LOS ANGELES, the California African American Museum (CAAM) announced two key curatorial appointments. Culture Type® is also an affiliate of Bookshop.org, whose mission is to financially support local, independent bookstores. Shaw is the co-founder of Pelican Bomb, a New Orleans-based contemporary art nonprofit that provided a platform for exhibitions, public programming, and arts … Tyree A. Boyd-Pates previously served as the History Curator and Public Program Manager at the California African American Museum (CAAM) in Los Angeles. “CAAM presents a powerful platform to build new scholarship and public experiences around the contributions of African Americans to the cultural life of this city, state, country, and the world. The following interview was conducted in September 2014 with the Chief Curator and Director . During 2016, she also staged Black Art Incubator along with Jessica Bell Brown, Kimberly Drew, and Jessica Lynne at Recess in New York City. The California African American Museum (CAAM) announced today the addition of two new staff members in key curatorial positions: Taylor Renee Aldridge, visual arts curator … The mission of the California African American Museum (CAAM) is to research, collect, preserve, and interpret for public enrichment the history, art, and culture of African Americans with an emphasis on California and the western United States. Detroit-based independent curator and writer Taylor Renee Aldridge is joining the museum as visual arts curator and program manager. “We see that there were Africans who were brought to this side of the country by way of [Hernán] Cortez, nearly 300, who would follow him during his conquest through Baja Mexico and into California,” he said. Today, only 16 percent of leadership positions in art museums are held by people of color and only four percent of museum curators are African American, according to … Prior to joining CAAM, Anderson was director of library, collections, exhibitions, and programs at the California Historical Society in San Francisco. “Enunciated Life” is scheduled to open in the fall. “At this moment of great uncertainty for many cultural institutions, when museums have had to close their doors to the public, and some are facing layoffs or reckoning with institutional racism, it is all the more meaningful that we are able to welcome onto our team these extraordinary curators,” Cameron Shaw, deputy director and chief curator of CAAM, said in a statement. Culture Type earns a nominal commission when you access Bookshop via a link on this website and/or make a purchase from one of Culture Type's book lists on Bookshop. NEWS OF SHAW’S APPOINTMENT comes after a months-long search to replace Keith, who previously served in the position and is now vice president of education and public programs at LACMA. He is a graduate of UCLA (B.A., 1977, M.A. 34 African American Museum jobs available on Indeed.com. The Museum Curator I, reports to the Deputy Director of the California African American Museum (CAAM). © 2013-2020 Culture Type, LLC. Culture Type is a solo editorial project that requires countless hours and expense to research, report, write, and produce. © 2013-2020 Culture Type, LLC. Anderson was also managing director of L.A. as Subject, a research alliance based at USC Libraries that focuses on preserving and improving access to archival material documenting the city’s history (2006-09). Curator Naima Keith, who for five years helped organize lauded exhibitions at the Studio Museum in Harlem, has been named the new deputy director for exhibitions and programs at … California African American Museum “Center Stage: African American Women in Silent Race Films” is open at the California African American Museum until Oct. 15. Lonnie Bunch. Serving as a curator at the UCLA Library Special Collections (2009-14), Anderson inaugurated the Collecting Los Angeles program, where she was responsible for acquisitions, collection development, fundraising, partnerships, programming, and exhibitions. Please consider supporting its ongoing production by making a donation. She earned a B.A. Since 2004 she has worked as a guest curator for numerous museums and galleries including The Amistad Center at The Wadsworth Atheneum Museum of Art, The High Museum of Art, The California African American Museum, Leica Gallery New York, Jenkins … Many Thanks for Your Support. “[Cameron Shaw’s] deep commitments to contemporary art and visual culture, as well as community engagement, will greatly benefit our institution as we continue to present thoughtful exhibitions and dynamic public programs that examine African American art, history, and culture in the West.” — George O. Davis, Executive Director of CAAM. Senior Editor, The Journal of Pan African Studies . 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